About Us

{contentTitle}

Accessory

{name}

Account Removal

User Account Update

Account Update

User Activation

Activation page

Amortization Calculator

{title}

Application Picker

Job Detail Page

Career Page

Case Studies

Case Studies Page

Cookies Bar

Cookies

Cookies Info

Cookies Page

Cookies Info (CZ)

Cookies Page (CZ)

Disclaimer

Error 404

Error 500

PDF Error

Event

Expos&Events

Expos&Events Page

FilePage

File

User Forgotten Password

Forgotten Password page

Gallery

General Translations

General Spot On

Gobo

Happy Hours

Homepage

HP Slider

Homepage Slider

Innovation

Innovation Page

Inquiry

Key Feature Category

{intDes}

User New Password

New Password page

News

News Detail

News Detail Page

News Page

Office

Offices Page

Products Parameters

Param Or Feature

Patent

{number}

Patents Page

Person

{firstName} {lastName}

Podcast page

Privacy

Privacy Policy

Privacy (CZ)

Privacy Policy (CZ)

Product

Product Detail

Product Detail Page

Product Overview Pages

Products Page

Product Security Incident Reporting

Rental Region

{region}

User Registration

Registration

Rental

Rental Finder

Search Page

Short Video

{internalDes}

Slide

Smart Links

Spot On Index

Support

Support Project Registration

Support Rma Form

Sustainability

Technical Training

Technical Training Calendar

Technical Training Type

{subtitle}

User Thank You

Thank You page

Trademark

{trademark}

Trademarks Page

Unavailable Locale Error

User Login Modal

User Login

User Login page

Video

Video Spot On

Wheel

System and Method for Controlling the Humidity and Pressure in a Luminaire

Systems for a Luminaire

Coating for a Framing Shutter for a Luminaire

Removable Lens System for a Luminaire

Lighting Control Console

14070420-01

99016015-9

99016015-8

99016015-7

99016015-6

99016015-5

99016015-4

99016015-3

99016015-2

99016015-1

 on Instagram and never miss a story again!

The browser you are currently using is not supported. To prevent glitches and functionality issues, switch to different browser.

Lighting designer Matt Marshall was delighted to be part of a talented cast and creative team delivering this outstanding production for which he specified and used Robe T1 PC moving lights to provide special soft back lighting to delineate the cast and evoke a sense of separation between them and the large scape video projections across the set.

The performance opened at the Aotea Centre in Auckland, then travelled to the St James Theatre in Wellington and the Isaac Royal Theatre in Christchurch impressing critics and theatre buffs and thrilling audiences.

It was the first opera that Matt has lit using T1 PC fixtures and his first creative collaboration with British director / designer and video artist Netia Jones who designed set, costumes and video as well as directing the work. Projected images played a prominent role in the dramaturgy, beamed onto three imposing scenic walls making up the set.

As the only other technical creative in this structure, plenty of expectation was on Matt to deliver a smart and dramatic lighting design to suit the viscerality of the piece.

With video projections so fundamental to the action and aesthetics, this also informed the way he lit the stage and cast. It was needing a specific and refined back light to give depth and three-dimensionality which led him to T1 PC to make the characters pop out but not affect the impact of the images.

Matt – who works internationally and prolifically on cutting edge opera and contemporary dance productions – first saw the Robe T1 fixtures at a demo by Australian distributor Jands and was struck by their silence in addition to the quality of light.

The production’s visual style was very Noir with multiple greyscales, monochromacy and sharp contrasts, so he needed a crisp, cold white to complement and contrast with this … for which the seven T1 PCs were a perfect solution.

Having previously used T1 and T2 Profiles on shows for the Western Australian Ballet in 2021, he knew that light output was excellent and that the products were ideal for this environment, but it was the quietness that really blew him away! It’s also something that is essential for opera, as everyone involved in this genre of performance – from the orchestra and conductor to all the artists – is acutely conscious of ambient noise levels.

“There’s absolutely no sound coming out of them at all,” Matt repeated with raised eyebrows! “Amazing!”

Other features like the accurate shuttering system and super-smooth dimming were also useful, especially when confining light to specific areas and preventing spill onto the set.

The general challenge in lighting this production was accentuating all the nuance and intrigue involved as Francesco Maria Piave’s libretto was unfolded, capturing the intricacy and narcissism of the characters and the cynicism of their actions.

There had to be a constant and complete balance between the two visual media – light and moving image – to enhance the compelling storytelling, and Matt enjoyed working with Netia enormously to create this fluidity and sense of visual spectacle.

The set was essentially a giant angled box wrapping an almost bare stage, so the trick was penetrating this space and using it properly and intelligently to relate the story.

Fixture placement was absolutely critical in each venue and lights had to be rigged on drop bars and other rigging infrastructure to get them spot-on, as no luminaire could be below the 10-metre projector pathway.

Matt loved thinking out of the box and taking a different approach to lighting such a classic opera as much as he enjoyed utilising the T1 PCs which he reckons added a sense of clean white slickness to the grungy downbeat atmos of the proverbial ‘Scottish play’.

The moving lights were supplied to the production by Wellington-based Grouse Lighting.

Robe Lights the Way for MacBeth at New Zealand Opera

Products Involved

T1 PC™

Discover more

Teatros del Canal Madrid Invests in Robe

Adelaide Festival Centre Enjoys New Anolis Installation

TAQA Theater De Vest Invests in Robe

Reykjavik City Theatre invests in more Robe T2 Profiles

Navigate

Support

Follow Us

Stay in Touch

Navigate

Support

Follow Us

Stay in Touch